The wild party : the lost classic / by Joseph Moncure March; drawings by Art Spiegelman.

by March, Joseph MoncureLooking glass; Spiegelman, ArtLooking glass.

Publisher: New York : Pantheon Books, [1994]Edition: First edition.Description: viii, 110 pages : illustrations ; 23 cm.ISBN: 0679424504.
Item type Home library Collection Class number Status Date due Barcode Item reservations
Long loan London College of Communication
Main collection
Printed books 811.52 MAR (Browse shelf (Opens below)) Available 40273148
Long loan London College of Communication
Main collection
Printed books 811.52 MAR (Browse shelf (Opens below)) Available 4027313X
Total reservations: 0
Browsing London College of Communication shelves, Shelving location: Main collection Close shelf browser (Hides shelf browser)
811.52 FRO Selected poems / 811.52 FRO Selected poems / 811.52 MAR The wild party : 811.52 MAR The wild party : 811.54 AME Remix the book / 811.54 ANG And still I rise / 811.54 ANG And still I rise /

Enhanced descriptions from Syndetics:

When first published in 1928, this story of one night of debauchery in the life of a vaudeville dancer became a "scandalous" success. The Wild Party is now given new life and expression, with March's text accompanied by more than 75 remarkable drawings by Art Spiegelman.

Reviews provided by Syndetics

Library Journal Review

Published in 1928, this racy prose poem follows a night in the life of a vaudeville dancer that includes everything from hot sex to cold murder. This classy edition has 75 drawings by Art Spiegelman (MAUS) and red velvet endpapers. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

A lost ``classic''? It's odd how strikingly some writing may date to an era yet can later be resuscitated because of its potential for art and camp, and thus gain a new audience. That's what Spiegelman (Maus I and II) has pulled off here by rediscovering and illustrating this jazzy, insistently rhyming roaring '20s period poem, banned in Boston when first published in 1928. What Spiegelman, in his introduction, calls his ``fetishistic'' pleasure in the poem, penned by the New Yorker's inaugural managing editor, is borne out by March's dither of hard-edged rhythms recounting the boozing, brawling and fractious lovemaking of an all-night party ending in a murder. The characters are hard-boiled and needy-and stereotypically presented. The women, especially, seem deliberately one-dimensional, even offensively so-if one is inclined to take offense at all. But the poem works as a bouncy artifact, and the black-and-white illustrations are appropriately, viscerally graphic, summoning up the sense of a knockabout urban spree with debonair zeal and well-appointed crudeness. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved

Author notes provided by Syndetics

Art Spiegelman was born in Stockholm, Sweden on February 15, 1948. He is the son of Polish Jews who survived imprisonment in Auschwitz. His family immigrated to the United States. He became a professional cartoonist at the age of 16. He studied art and philosophy at Harpur College.

He became a creative consultant, designer, and writer for Topps Chewing Gum, Inc., where he created Wacky Packages, Garbage Pail Kids and other novelty items. The Complete Mr. Infinity was published in 1970 and won the Joel M. Cavior Award for Jewish Writing. In 1980, Spiegelman and his wife, Françoise Mouly founded the avant-garde comics magazine RAW. His best known work Maus: A Survivor's Tale, was published in 1986 and won the Pulitzer Prize in 1992. His other works include Maus: A Survivor's Tale II, In the Shadow of No Towers, Breakdowns, Jack and the Box, Be a Nose, and The Ghosts of Ellis Island. MetaMaus won the 2011 National Jewish Book Award in the Biography, Autobiography, and Memoir category.

(Bowker Author Biography) Art Spiegelman is the Pulitzer Prize-winning author of "Maus" and "Maus II". His work has been published in more than sixteen languages and has appeared in "The New York Times", "Village Voice", and "Playboy", among others. He has been a contributing editor and cover artist for "The New Yorker" since 1992 and lives in Manhattan.

(Publisher Provided)