A companion to new media dynamics [electronic resource] / edited by John Hartley, Jean Burgess and Axel Bruns.

by Bruns, Axel, 1970-Looking glass; Burgess, Jean (Jean Elizabeth)Looking glass; Hartley, John, 1948-Looking glass; EBSCO Publishing (Firm) [supplier.]Looking glass.

Publisher: Chicester : Wiley, 2013.Description: 1 online resource (xviii, 500 pages) : illustrations.ISBN: 9781118321638; 9781118324837; 1118321634; 1118324838.Subject(s): Digital mediaLooking glass | Mass media -- Technological innovationsLooking glass | Social mediaLooking glass | Electronic booksLooking glassNote: Chapter 14 The Dynamics of Digital Multisided Media Markets.Note: Includes bibliographical references and index. Alternative form: Print version: A companion to new media dynamics 9781119000860Online access: Read this e-book from EBSCO
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Enhanced descriptions from Syndetics:

A Companion to New Media Dynamics presents a state-of-the-art collection of multidisciplinary readings that examine the origins, evolution, and cultural underpinnings of the media of the digital age in terms of dynamic change Presents a state-of-the-art collection of original readings relating to new media in terms of dynamic change Features interdisciplinary contributions encompassing the sciences, social sciences, humanities and creative arts Addresses a wide range of issues from the ownership and regulation of new media to their form and cultural uses Provides readers with a glimpse of new media dynamics at three levels of scale: the 'macro' or system level; the 'meso' or institutional level; and 'micro' or agency level

Chapter 14 The Dynamics of Digital Multisided Media Markets.

Includes bibliographical references and index.

Description based on print version record.

Reviews provided by Syndetics

CHOICE Review

A Companion to New Media Dynamics provides nearly three dozen scholarly essays organized around notions of change applied to contemporary media forms. Neither the introduction nor the collection as a whole reveal a shared definition of new media (other than the notion of "postbroadcast" media). Likewise, the scope and focus vary considerably among the essays, which are divided into three large categories, and then again into nine subcategories. The first category, "Approaches and Antecedents," is the most cohesive of the three, and perhaps for this reason is not broken up into subsections. It consists of eight excellent reviews of a series of topics ranging from digital humanities to the economics of new media. The next two categories, "Issues and Identities" and "Forms, Platforms, and Practices," are less even in quality and coherence. Themes of change, evolution, prognosis, and expectation tie together the overall theme of "dynamism," yet the large number of essays, uneven quality, and sheer length of the volume (500 pages, counting the index) hinder the emergence of a unified framework for new media studies. Recommended for new media scholars and faculty, but probably not suitable for use as an introduction. Summing Up: Recommended. Graduate and research collections. H. Lowood Stanford University

Author notes provided by Syndetics

John Hartley is John Curtin Distinguished Professor at Curtin University, Western Australia; and Professor of Journalism, Media and Cultural Studies at Cardiff University, Wales. Recent books include Cultural Science (2014), Key Concepts in Creative Industries (2013) and Digital Futures for Cultural and Media Studies (2012). He is Editor of the International Journal of Cultural Studies .

Jean Burgess is Associate Professor of Digital Media at Queensland University of Technology. She is co-author of YouTube: Online Video and Participatory Culture (2009), and co-editor of Twitter and Society (2014) and Studying Mobile Media: Cultural Technologies, Mobile Communication, and the iPhone (2012).

A xel Bruns is Professor and ARC Future Fellow, ARC Centre for Creative Industries and Innovation, Queensland University of Technology. He is author of Blogs, Wikipedia, Second Life and Beyond: From Production to Produsage (2008) and Gatewatching: Collaborative Online News Production (2005), and co-editor of Twitter and Society (2014) and Uses of Blogs (2006).

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No cover image available A companion to new media dynamics / ©2015

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