The critical imagination [electronic resource] / James Grant.

by Grant, James Eric, 1980-Looking glass; EBSCO Publishing (Firm) [supplier.]Looking glass.

Series: Oxford philosophical monographs: Publisher: Oxford : Oxford University Press, 2013.Description: viii, 192 pages.ISBN: 0191637947; 9780191637940.Subject(s): Art criticismLooking glass | ImaginationLooking glass | Electronic booksLooking glassNote: Includes bibliographical references and index. Alternative form: 9780199661794; Print version: 0199661790Online access: Read this e-book from EBSCO
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Enhanced descriptions from Syndetics:

The Critical Imagination is a study of metaphor, imaginativeness, and criticism of the arts. Since the eighteenth century, many philosophers have argued that appreciating art is rewarding because it involves responding imaginatively to a work. Literary works can be interpreted in many ways; architecture can be seen as stately, meditative, or forbidding; and sensitive descriptions of art are often colourful metaphors: music can 'shimmer', prose can be'perfumed', and a painter's colouring can be 'effervescent'. Engaging with art, like creating it, seems to offer great scope for imagination. Hume, Kant, Oscar Wilde, Roger Scruton, and others have defended variations on this attractive idea. In this book, James Grant critically examines it.The first half explains the role imaginativeness plays in criticism. To do this, Grant answers three questions that are of interest in their own right. First, what are the aims of criticism? Is the point of criticizing a work to evaluate it, to explain it, to modify our response to it, or something else? Second, what is it to appreciate art? Third, what is imaginativeness? He gives new answers to all three questions, and uses them to explain the role of imaginativeness in criticism.The book's second half focuses on metaphor. Why are some metaphors so effective? How do we understand metaphors? Are some thoughts expressible only in metaphor? Grant's answers to these questions go against much current thinking in the philosophy of language. He uses these answers to explain why imaginative metaphors are so common in art criticism. The result is a rigorous and original theory of metaphor, criticism, imaginativeness, and their interrelations.

Includes bibliographical references and index.

Reviews provided by Syndetics


Grant (Birkbeck College, Univ. of London) explores the work of the critic, particularly analyzing the roles of imaginativeness and metaphor in the art critic's endeavor. Grant provides an analytic foray into the general notion that art criticism, in its effort to understand, experience, and communicate an encounter with a work of art, approximates (if not utilizes) the same imaginative ability involved with the creation of art. Ultimately distinguishing the constitutive from the nonconstitutive aims of the critic, the author helps demystify aspects of successful art criticism. For those unfamiliar with the many thinkers and arguments found in the book, Grant provides sufficient notes and explanation to aid in following both their and his positions. The language is accessible, but readers should be prepared to engage the arguments offered and discussed. Consequently this book is most appropriate for those who already have an appreciation of or are interested in learning more about art criticism and its use of imagination and metaphor. Summing Up: Recommended. Upper-level undergraduates through researchers/faculty. J. R. Couch Keene State College

Author notes provided by Syndetics

James Grant is a Tutorial Fellow of Exeter College, Oxford.

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No cover image available The critical imagination / by Grant, James Eric, ©2013