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Enhanced descriptions from Syndetics:
The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep
The revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity, and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.
'The truth of her writing is as necessary today as it's ever been' Guardian
Notes from a trip to Russia -- Poetry is not a luxury -- The transformation of silence into language and action -- Scratching the surface : some notes on barriers to women and loving -- Uses of the erotic : the erotic as power -- Sexism : an American disease in blackface -- An open letter to Mary Daly -- Man child : a black lesbian feminist's response -- An interview : Audre Lorde and Adrienne Rich -- The Master's tools will never dismantle the Master's house -- Age, race, class, and sex : women redefining difference -- The uses of anger : women responding to racism -- Learning from the 60s -- Eye to eye : black women, hatred, and anger -- Grenada revisited : an interim report.
Reviews provided by Syndetics
Library Journal ReviewPoet and librarian Lorde collected 15 of her finest essays and speeches in this 1984 volume. With her poet's command of language, she addresses sexism, racism, black women, black lesbians, eroticism, and more. Still powerful. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Author notes provided by SyndeticsAn African American lesbian feminist critic and writer, Lorde was born in Harlem and educated at National University of Mexico, Hunter College, and Columbia University. She married in 1962 and divorced in 1970, after having two children. Lorde first came to critical attention with her poetry. Her first poem was published in Seventeen magazine while she was in high school; it had been rejected by her high school newspaper because it was "too romantic" (Lorde considered her "mature" poetry, which focuses on her lesbian relationships, to be romantic also). Other early poems were published in many different journals, many of them under the pseudonym Rey Domini. Her first volume of poetry, "The First Cities," was published in 1968. Lorde then quit her job as head librarian at a school in New York City in order to devote her time to teaching and writing. She was a professor of English at Hunter College from 1980 until her untimely death from cancer in 1992.
Although many of Lorde's poems are about love, many are about anger, particularly anger about racism, sexism, and homophobia in America. "The Brown Menace or Poem to the Survival of Roaches" likens African Americans to cockroaches---hated, feared, and poisoned by whites but survivors nevertheless. Other poems express a daughter's anger toward her mother; still others eschew anger for affirmation and inspiration, which are represented as coming from lesbian love and traditional African myths because, as Lorde has said, "the master's tools will not dismantle the master's house." Lorde is also well known for her prose. Her courageous account of her struggle with breast cancer and the mastectomy that she underwent is movingly chronicled in "The Cancer Journals" (1980), her first major prose publication. "Zami, a New Spelling of My Name" (1982) is, in Lorde's words, a "biomythography," combining history, biography, and myth. In "Zami," Lorde focuses on her developing lesbian identity and her response to racism in the white feminist and gay communities, and to sexism and homophobia in the African American community. Lorde's critical essays, collected in "Sister/Outsider" (1984) and "A Burst of Light "(1988), have been quite influential, particularly "Uses of the Erotic: The Erotic as Power," in which she discusses the relationship of poetry to politics and the erotic.
Lorde was the recipient of several grants---from the National Endowment for the Arts in 1968 and 1981 and from the Creative Artists Public Service in 1972---as well as the Borough of Manhattan President's Award for Literary Excellence in 1987. She was also nominated for the National Book Award for poetry in 1974 for her third volume of verse, "From a Land Where Other People Live"(1973).
(Bowker Author Biography)
Other editions of this work
|No cover image available||Sister outsider : by Lorde, Audre ©2007|