Deleuze on music, painting, and the arts / Ronald Bogue.

by Bogue, Ronald, 1948-Looking glass.

Series: Deleuze and the arts: ; Deleuze and the arts: Publisher: New York, N.Y. ; Routledge, 2003.Description: xii, 221 pages : illustrations, music ; 23 cm.ISBN: 0415966078; 0415966086; 9780415966078; 9780415966085.Subject(s): Deleuze, Gilles, 1925-1995Looking glass | Aesthetics, French -- 20th centuryLooking glass | Arts -- PhilosophyLooking glass | Music -- Philosophy and aestheticsLooking glass | Painting -- PhilosophyLooking glassNote: Includes bibliographical references (pages 211-215) and index.
Item type Home library Collection Class number Status Date due Barcode Item reservations
Long loan Camberwell College of Arts
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Printed books 701 DEL (Browse shelf (Opens below)) Available 54008138
Long loan Central Saint Martins
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Printed books 700.1 DEL (Browse shelf (Opens below)) Issued 29/11/2021 22212337
Long loan Chelsea College of Arts
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Printed books 701.17 DEL (Browse shelf (Opens below)) Available 54156039
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Enhanced descriptions from Syndetics:

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Includes bibliographical references (pages 211-215) and index.

Table of contents provided by Syndetics

  • Abbreviations (p. xi)
  • Introduction (p. 1)
  • Part I Music
  • Chapter 1 Musica Naturans: Deterritorializing the Refrain (p. 13)
  • Music and Cosmos in Antiquity
  • Rhythm and the Refrain
  • From Milieus to Territories
  • Messiaen and the Composition of Time
  • The Music of the Birds
  • Chapter 2 Music in Time: History and Becoming (p. 33)
  • Becoming-Woman, Becoming-Child
  • Transverse Becomings of Musical Invention
  • Classical Form, Romantic Variation
  • The Problem of the People
  • Varese and the Modern Sound Machine
  • Cosmic People and the History of Discernibility
  • Chapter 3 Natura Musicans: Territory and the Refrain (p. 55)
  • Ethology and Territoriality
  • Von Uexkull and Musical Milieus
  • Ruyer and the Melodies of Developmental Biology
  • Structural Coupling and Natural Drift
  • Function and Aesthetics
  • The Autonomous Refrain
  • Part II Painting
  • Chapter 4 Faces (p. 79)
  • Hand and Mouth, Tool and Face
  • Regimes of Signs and the Faces of Power
  • White Wall, Black Hole
  • The Abstract Machine of Faciality
  • The Face and the Gaze
  • From the Gaze to the Face
  • Deterritorializing the Face
  • Primitive Heads, Christ-Face, Probe Heads
  • Chapter 5 Forces (p. 111)
  • The Figural
  • Systole and Diastole
  • The Brutality of Fact
  • Forces
  • Chapter 6 Color (p. 131)
  • Analogical Modulation
  • Haptic and Optic
  • Ground and Foundation
  • Excursus on the Gothic Line
  • Haptic Colorism
  • Analogue Diagrammatic Modulation
  • Part III The Arts
  • Chapter 7 Sensation and the Plane of Composition (p. 163)
  • Sensation
  • Plane of Immanence, Plane of Composition
  • Virtual and Possible
  • Conclusion (p. 187)
  • Specific Domains
  • Elective Affinities
  • Notes (p. 197)
  • Works Cited (p. 211)
  • Index (p. 217)

Author notes provided by Syndetics

Ronald Bogue is Professor of Comparative Literature at the University of Georgia. He has written widely on the work of Deleuze and aesthetics

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