Festac '77 : 2nd world black and African festival of arts and culture / decomposed, an-arranged and reproduced by Chimurenga ; (misdirections in music by Ntone Edjabe).Publisher: London : Chimurenga and Afterall Books, 2019.Description: 445 pages : illustrations (black and white, and colour) ; 32 cm.ISBN: 9783960984498.Subject(s): World Black and African Festival of Arts and Culture (2nd : 1977 : Lagos, Nigeria)Looking glass | Art festivals -- Nigeria -- Lagos | Arts, BlackLooking glass | Africa, Sub-Saharan -- CivilizationLooking glass
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Printed books 709.6 CHI (Browse shelf (Opens below)) Available 54298015
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Enhanced descriptions from Syndetics:

The first publication to consider the legendary event FESTAC in all its cultural-historic complexity

Early in 1977, thousands of artists, writers, musicians, activists and scholars from Africa and the Black diaspora assembled in Lagos for FESTAC '77, the 2nd World Black and African Festival of Arts and Culture. The event came eleven years after the First World Festival of Negro Arts, held in Dakar, and eight years after the First Pan-African Cultural Festival was held in Tangiers.

With a radically ambitious agenda underwritten by Nigeria's newfound oil wealth, FESTAC '77 would unfold as a complex, glorious and excessive culmination of a half-century of transatlantic and pan-Africanist cultural-political gatherings. Devised by Chimurenga magazine, this is the first publication to consider FESTAC in all its cultural-historic complexity, addressing the planetary scale of the event alongside the personal and artistic encounters it made possible. The third title in the magazine's ChimurengaLibrary series and the tenth in Afterall's Exhibition Histories series, the book gathers extensive unseen photographic and archival materials, interviews and new commissions. Featuring contributions from Alioune Diop, Barkley Hendricks, Audre Lorde, Betye Saar, Dominique Malaquais, Marilyn Nance, Ugochukwu-Smooth Nzewi, J.D. Okhai Ojeikere, Elvira Dyangani Ose and Wole Soyinka, among others, Festac '77: The Second World Black and African Festival of Arts and Culture tells the story of a legendary event that placed African and diasporic politics, culture and collectivity live on the world stage

Author notes provided by Syndetics

The book has been edited by Chimurenga magazine, a publication of arts, culture and politics from and about Africa and its diasporas, founded and edited by Ntone Edjabe

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