Betye Saar : black girl's window / Esther Adler and Christophe Cherix.

by Saar, BetyeLooking glass; Adler, Esther (Curator) [author.]Looking glass; Cherix, Christophe [author.]Looking glass; Museum of Modern Art (New York, N.Y.) [host institution.]Looking glass.

Series: MoMA one on one series: Publisher: New York, New York : The Museum of Modern Art, [2019]Description: 43 pages : illustrations (black and white, and colour) ; 23 cm.ISBN: 9781633450769.Other title: Black girl's window.Subject(s): Saar, Betye -- Exhibitions | Saar, Betye. Black girl's window -- Exhibitions | Blacks in art -- ExhibitionsLooking glassNote: Published to accompany the exhibition of the same name held at the Museum of Modern Art, New York, 21st October 2019-4th January 2020.Note: Includes bibliographical references. Summary: New in MoMA's 'One on One' series, this book focuses on Betye Saar's 'Black Girl's Window' (1969) and a selection of the artist's prints from the 1960s and early 1970s. Betye Saar made 'Black Girl's Window' in 1969. It is a deeply autobiographical picture that alluded to her African-American heritage along with her interest in mysticism and astrology. The black girl named in the title appears in the lower half of this found window frame. The girl's facial features are hidden. The only thing there are these surprisingly bright blue eyes, which appear to open and close if you shift back and forth in front of it. The work encourages us to think about connections between eyes, that are often said to be windows on the soul, and pictures, that have been said to be windows on the world.
Item type Home library Collection Class number Status Date due Barcode Item reservations
Long loan Camberwell College of Arts
Main collection
Printed books 709.7351 SAA (Browse shelf (Opens below)) Available 54294231
Long loan Central Saint Martins
Main collection
Printed books 709.24 SAA (Browse shelf (Opens below)) Available 54294296
3 hour loan Chelsea College of Arts
Exhibition catalogues
Printed books 700.9242 SAA (Browse shelf (Opens below)) Library use only (Closed access, please ask at Information Desk) 54294283
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Enhanced descriptions from Syndetics:

New in MoMA's 'One on One' series, this book focuses on Betye Saar's Black Girl's Window (1969) and a selection of the artist's prints from the 1960s and early 1970s .

Betye Saar made Black Girl's Window in 1969. It is a deeply autobiographical picture that alluded to her African-American heritage along with her interest in mysticism and astrology. The black girl named in the title appears in the lower half of this found window frame. The girl's facial features are hidden. The only thing there are these surprisingly bright blue eyes, which appear to open and close if you shift back and forth in front of it. The work encourages us to think about connections between eyes, that are often said to be windows on the soul, and pictures, that have been said to be windows on the world. Saar herself once said that she considers windows to represent a means of traveling from one level of consciousness to another. If you continue to look at the girl, you can see that her hands are covered with yellow and red symbols. Some of these same symbols, in particular the crescent moon and the stars, are echoed in the nine small vignettes created in the spaces outlined by the intersecting crossbars of her found window frame.

Published to accompany the exhibition of the same name held at the Museum of Modern Art, New York, 21st October 2019-4th January 2020.

Includes bibliographical references.

New in MoMA's 'One on One' series, this book focuses on Betye Saar's 'Black Girl's Window' (1969) and a selection of the artist's prints from the 1960s and early 1970s. Betye Saar made 'Black Girl's Window' in 1969. It is a deeply autobiographical picture that alluded to her African-American heritage along with her interest in mysticism and astrology. The black girl named in the title appears in the lower half of this found window frame. The girl's facial features are hidden. The only thing there are these surprisingly bright blue eyes, which appear to open and close if you shift back and forth in front of it. The work encourages us to think about connections between eyes, that are often said to be windows on the soul, and pictures, that have been said to be windows on the world.

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