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Enhanced descriptions from Syndetics:
This collection of plays, fiction, and journalistic essays by Sophie Treadwell provides an engaging portrait of one of America's most innovative yet neglected feminists. Broadway's Bravest Woman: Selected Writings of Sophie Treadwell is the first critical compilation of her prose and drama and highlights the most significant and formerly unavailable pieces of her work. Editors Jerry Dickey and Miriam López-Rodriguez place Treadwell within the context of the early twentieth century and outline four themes that infused her feminist ideology: the social positioning of women, ethnic identity in the United States, tensions between modern progressivism and conservatism, and the individual's role in the face of social justice.
Treadwell's critical reputation as a dramatist is largely based on the success of the 1928 expressionist drama Machinal , but little is known about her other dramas, much less her fiction and journalism. Drawing largely upon unpublished manuscripts, this volume documents the breadth of Treadwell's work, from an investigative newspaper serial written in 1914 to selections from an autobiographical novel completed during World War II, which chronicled her development as a feminist.
In the introduction, Dickey and López-Rodriguez present a detailed portrait of Treadwell's sensational but critically neglected journalistic career, from her 1915 serial on social welfare for prostitutes in San Francisco to her 1921 ground-breaking story on the Mexican revolutionary leader Pancho Villa. They also outline the personal and social factors that helped shape Treadwell's feminist ideals.
Expanding the awareness of the feminist writer's accomplishments, Broadway's Bravest Woman is critical resource for students, scholars, and theatre artists. The collection, enhanced by six illustrations, not only offers the most complete portrait of Treadwell to date as a significant feminist voice in modern America but also provides a glimpse into the social life and international relations of the United States in the interwar period of the twentieth century.
Includes bibliographical references.
Reviews provided by Syndetics
CHOICE ReviewThis anticipated and welcome collection of Treadwell's plays, fiction, and journalistic pieces makes available the work of one of the US's "recovered" 20th-century feminists and modernists--a woman whose popularity has steadily risen in the last couple of decades but whose work has remained largely inaccessible. The volume includes three plays--Constance Darrow, The Eye of the Beholder, and Ladies Leave--all published here for the first time; the short story "Letters from A. to B."; excerpts from the novel Hope for a Harvest; and such journalist work as excerpts from An Outcast at the Christian Door (1914) and Treadwell's 1921 interview with Pancho Villa. Dickey (Univ. of Arizona) and Lopez-Rodriguez (Univ. of Malaga, Spain) provide succinct introductions to Treadwell's work as a whole and to her activities as a journalist, dramatist, and novelist by focusing on several major themes in her work: the social position of women, personal and ethnic identity in the US, the tension between modernity and tradition, and the role of the individual in social change. The chronology and illustrations add value to an already invaluable source for research in American literature, journalism and drama, the history of modernism and realism, and women writing and feminism. ^BSumming Up: Recommended. Lower-division undergraduates through faculty and professionals; general readers. K. Tancheva Cornell University
Author notes provided by Syndetics
Jerry Dickey , an associate professor and head of the theatre studies division in the School of Theatre Arts at the University of Arizona, is the author of Sophie Treadwell: A Research and Production Sourcebook . He has published numerous journal essays and chapters on Treadwell and has served as past-president of the theatre history focus group of the Association for Theatre in Higher Education and on the Executive Board of the American Theatre and Drama Society.Miriam López-Rodriguez , a former Fulbright scholar who studied the Sophie Treadwell Papers at the University of Arizona, teaches in the Department of English at the University of Málaga, Spain. She coedited Staging a Cultural Paradigm: The Political and the Personal in American Drama and Women's Contribution to Nineteenth-Century American Drama . She is a member of a University of Málaga research group and co-organizer of the international conferences on American theatre.