by Welchman, John C; Graw, Isabelle; Kelley, Mike, 1954-2012; Kelley, Mike; Vidler, Anthony; Welchman, John C.Series: Contemporary artists: Publisher: London : Phaidon, 1999.Description: 160 pages : illustrations (some colour), facsimiles ; 29cm.ISBN: 0714838349.Subject(s): Kelley, Mike -- Criticism and interpretation | Kelley, Mike, 1954-2012 -- Criticism and interpretation | Installations (Art) -- United States | Sculpture, AmericanNote: Bibliography: pages 158-159.
|Item type||Home library||Collection||Class number||Status||Date due||Barcode||Item reservations|
|Long loan||Chelsea College of Arts Main collection||Printed books||700.9242 KEL (Browse shelf (Opens below))||Available||35239654|
|Long loan||Chelsea College of Arts Main collection||Printed books||700.9242 KEL (Browse shelf (Opens below))||Available||35290390|
|Long loan||London College of Communication Main collection||Printed books||709.2 KEL (Browse shelf (Opens below))||Available||40942155|
|Long loan||London College of Communication Main collection||Printed books||709.2 KEL (Browse shelf (Opens below))||Available||40942147|
|Long loan||Wimbledon College of Arts Main collection||Printed books||730.973 KEL (Browse shelf (Opens below))||Available||54039000094337|
Enhanced descriptions from Syndetics:
Mike Kelley (b.1954) is one of the best contemporary examples of an artist who, like Yves Klein, Piero Manzoni and Vito Acconci before him, combines sculpture with performance. Best known for his assemblage sculptures made from stuffed children's toys, often set upon the 'stage' of a homemade Afghan rug, Kelley draws upon the Modernist traditions of the found object and collage in his colourful, irreverent sculptures.
Childhood and adolescence are referenced with all the sexual ambiguity, tastelessness and low humour associated with those age groups. His attitude of aesthetic disobedience, bridging 'low' (crafts) and 'high' (sculpture, painting) forms of art, has its roots in the rejection of the social and moral fabric of American culture.
Despite his subversion and anti-art tactics, Kelley has been recognized since the 1980s by the international art world as one of the most significant and representative artists working today in the United States, and his work has been shown at venues as diverse as the Los Angeles County Museum of Art and Paris's Musee du Louvre.
In the Survey, California-based art historian and critic John C. Welchman exmaines Kelley's relationship to 1970s post-Minimalism, American popular cultures, 1980s appropriation and the conceptual vernacular of the 1990s. German art critic and editor Isabelle Graw discusses with the artist his aesthetic and symbolic strategies in the cultural contexts of America and Europe. In the Focus, architectural theorist Anthony Vidler explores the psycho-geography of Kelley's Educational Complex (1995), an architectural model based on the artist's memory traces of his educational environs. For the Artist's Choice, Kelley has selected two early twentieth-century texts that have influenced his investigations of primal psychological drives and aesthetics: The Use Value of D. A. F. de Sade (An Open Letter to My Current Comrades) (1929) by Georges Bataille and The Book of the Damned (1919) by Charles Fort. Mike Kelley's writings include project descriptions and accompanying texts from his major works; a retrospective view of his radical rock band Destroy All Monsters; and essays on prevailing themes, such as caricature, in the cultural history of representation.
Bibliography: pages 158-159.
Author notes provided by SyndeticsGeorges Bataille was a French poet, novelist, and philosopher. He was born in Billon, Puy-de-Dome, in central France on September 10, 1897. His father was already blind and paralyzed from syphilis when Bataille was born. In 1915, Bataille's father died, his mind destroyed by his illness. The death marked his son for life.
While working at the Bibliotheque National in Paris during the 1920s, Bataille underwent psychoanalysis and became involved with some of the intellectuals in the Surrealist movement, from whom he learned the concept of incongruous imagery in art. In 1946 he founded the journal Critique, which published the early work of some of his contemporaries in French intellectual life, including Roland Barthes and Jacques Derrida.
Bataille believed that in the darkest moments of human existence-in orgiastic sex and terrible death-lay ultimate reality. By observing them and even by experiencing them, actually in sex and vicariously in death, he felt that one could come as close as possible to fully experiencing life in all its dimensions.
Bataille's works include The Naked Beast at Heaven's Gate (1956), A Tale of Satisfied Desire (1953), Death and Sensuality: A Study of Eroticism and the Taboo (1962), and The Birth of Art: Prehistoric Painting (1955).
Bataille died in Paris on July 8, 1962.
(Bowker Author Biography)
Other editions of this work
|No cover image available||Mike Kelley by Kelley, Mike, ©2005|